Faith Ringgold
Freedom of Speech, 1990, Acrylic and graphite on paper
Faith Ringgold (born October 8, 1930, New York, New York, U.S.—died April 13, 2024, Englewood, New Jersey) was an American artist and author who became famous for innovative quilted narrations that communicate her political beliefs.
Jones grew up in New York City’s Harlem district, and while still in high school she decided to be an artist. She attended City College of New York, where she received a degree in fine arts and education (1955) and an M.A. in fine arts (1959). In the mid-1950s Jones started teaching art in New York public schools, a job she held until the 1970s. After Jones married her second husband, Burdette Ringgold, in 1962, she began using his name professionally.
By the 1960s Ringgold’s work had matured, reflecting her burgeoning political consciousness, study of African arts and history, and appreciation for the freedom of form used by her young students. She began a body of paintings in 1963 called the American People series, which portrays the civil rights movement from a female perspective. One of the best-known and perhaps most-unsettling is American People #20: Die (1967), a bold representation of contemporary race riots. Inspired by Pablo Picasso’s Guernica (1937), the mural presents a tangle of Black and white bodies, their doll-like eyes wide in terror, and their heads and matching attire bloodied. The Museum of Modern Art (MoMA) in New York City acquired the work in 2016 and caused a stir three years later when it placed the painting near Picasso’s Les Demoiselles d’Avignon (1907) in an effort to diversify the presentation of its collection.
In the 1970s Ringgold lectured frequently at feminist art conferences and actively sought the racial integration of the New York art world. She originated a demonstration against the Whitney Museum of American Art that led to the inclusion of works by Betye Saar and Barbara Chase-Riboud in the 1972 sculpture biennial, and she helped win admission for Black artists to the exhibit schedule at the Museum of Modern Art. In 1970 Ringgold and one of her daughters founded the advocacy group Women Students and Artists for Black Art Liberation. She also began to explore different types of media, including soft sculptures and masks. In 1972 she started collaborating with her mother, Willi Posey Jones, who was a fashion designer, to create the Slave Rape series of paintings, which were inspired by Tibetan thang-kas that she viewed on a visit to museums in Amsterdam. They also worked together to make masks for the Family of Women series (1973–74).
In the 1980s Ringgold began working on “story quilts,” which became some of her most renowned works. She painted these quilts with narrative images and original stories set in the context of African American history. Her mother frequently collaborated with her on them. These works included Who’s Afraid of Aunt Jemima?(1984), Sonny’s Quilt (1986), and Tar Beach (1988), the latter of which Ringgold adapted into a children’s book (1991) that was named a Caldecott Honor Book in 1992. It tells the story of a young Black girl in New York City who dreams about flying. Ringgold’s later books for children included Aunt Harriet’s Underground Railroad in the Sky (1992), My Dream of Martin Luther King (1995), Harlem Renaissance Party(2015), and We Came to America (2016). Her memoirs, We Flew over the Bridge, were published in 1995.
In the 21st century she continued to work on quilts and on various commissions, and in 2022 the New Museum, New York City, held a major retrospective of her work entitled “Faith Ringgold: American People.”
COLLECTIONS
American Craft Museum, New York
ARCO Chemical, Philadelphia
Baltimore Museum of Art
Blanden Memorial Art Museum, Fort Dodge
Boston Museum of Fine Arts
Brigham Young University Museum of Art, Utah
Brooklyn Children's Museum
Brooklyn Museum
Buffalo Museum, North Dakota
Chase Manhattan Bank, New York
Civic Center Station, Los Angeles
Clark Museum
Coca Cola, Atlanta
Cornell Fine Arts Museum at Rollins College, Winter Park
Columbia Museum of Art, South Carolina
Crystal Bridges Museum of American Art
Currier Museum of Art, New Hampshire
Danforth Museum, Massachusetts
Delaware State University, Dover
Douglas F. Cooley Memorial Art Gallery, Portland, Oregon
Fort Wayne Museum of Art, Indiana
Harold Washington Library, Chicago
Harvard Art Museum, MA
High Museum of Art, Atlanta
Hood Museum of Art, New Hampshire
Hostos Community College, Bronx New York
Howard University, Washington, DC
Mattatuck Museum, Conecticut
Metropolitan Museum of Art, New York
Metropolitan Transit Authority, New York
Milwaukee Art Museum, Madison
MTA Los Angeles, Civic Center Station
Museum of Art and Design, New York City
Museum of Modern Art, New York City
National Council of Negro WomenNational Gallery, Washington, DC
National Museum of Women in the Arts, Washington, DC
National Museum of African American History and Culture, Washington, DC
Neuberger Museum of Art, New York
Newark Museum, New Jersey
Norton Museum of Art, Florida
NYC Board of Education, P.S. 22, Brooklyn
Palmer Museum of Art, Indiana
Palm Springs Art Museum, California
Pasadena City College, California
Pennsylvania Academy of the Fine Art
Perez Art Museum, Miami
Peter Norton Family Collection
Philadelphia Museum of Art
Phillip Morris Companies, Inc.
Phoenix Art Museum, Arizona
Polk Museum of Art, Florida
Public Art for Public Schools, New York
Public School 22. Crown Heights, Brooklyn
Rose M. Singer Center, New York City
Savannah College of Art, Georgia
Schomburg Center for Research in Black Culture, New York City
Schomberg Library
Smithsonian American Art Museum, Washington, DC
Solomon R. Guggenheim Museum
Spelman College Museum of Fine Art, Atlanta
Spencer Museum of Art, Kansas
Sprint Collection
St. Louis Art Museum, Missouri
Studio Museum Harlem, New York
The Fabric Workshop and Museum, Philadelphia
The High Museum, Atlanta
The International Quilt Study Center and Museum (IQSCM)
Toledo Museum of Art, Ohio
Uris Library, Columbia University
US Dept. of State: US Embassy Port-au Prince March 2008
WAH Center (Williamsburg Art & Historical Center)
William J. Clinton Presidential Library and Museum, Arkansas
Williams College Museum of Art, Williamstown
Worcester Art Museum, Charlotte E.W. Buffington Fund, Massachusetts